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Multigraph 023 (Larry Achiampong) by Iain Forsyth and Jane Pollard
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Exhibition Entrance via West Wing of Somerset House
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Colourful corridor
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Floor detail of corridor
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‘Whenever I Hang’ – Poem by Grace Nichols
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Exhibition visitor looking at a glass cabinet display of artefacts collected over the years by Zak Ové’s father, Horace Ové
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‘Icepick, 2002’ by Satch Hoyt with audio of hair being combed by wooden, plastic and metal Afro picks
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Listen boxes were dotted around the space with various music spanning 50 years. This one was playing ‘Empire Road (1978)’ by Matumbi
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‘James Baldwin, 1983’ by Horace Ové
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‘Warm Broad Glow, 2005’ by Glenn Ligon
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‘Hair Relaxer, 2007-2008’ by David Hammons
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Warning sign at the entrance to one of the rooms.
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‘The Enigma of Arrival in 4 Sections. Section 1: Guess Who is Coming to Dinner, 2017’ by Cosmo Whyte
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Detail of ‘The Enigma of Arrival in 4 Sections. Section 1: Guess Who is Coming to Dinner, 2017’ by Cosmo Whyte
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‘Shrine to Wisdom, 2019’ by Victor Ekpuk
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Detail of ‘Shrine to Wisdom, 2019’ by Victor Ekpuk
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Metal sculpture in the space – ‘Shrine to Wisdom, 2019’ by Victor Ekpuk
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Detail of ‘Shrine to Wisdom, 2019’ by Victor Ekpuk
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Detail of ‘Shrine to Wisdom, 2019’ by Victor Ekpuk
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Grace Wales Bonner’s friends Dennis Okwera and Wilson Oryema photographed by Lord Snowdon in her second collection Malik
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‘Woke, 2016’ by Sanford Biggers
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‘Michelle Barnase – Soul II Soul Jacket, 1989 and Jazzie’s Groove Cane, 1990’ by Jazzie B
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‘A Great Day in Hip-Hop, Harlem, New York, 1998’ by Gordon Parks
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‘The Barber’s Chair and Clippers, 2017’ by Faisal Abdu’allah
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‘Umbilical Progenitor, 2018’ by Zak Ové
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Detail of ‘Umbilical Progenitor, 2018’ by Zak Ové
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Do not touch the artwork – detail of ‘Umbilical Progenitor, 2018’ by Zak Ové
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T-shirt on sale at the exhibition store – this one made me chuckle.

I almost didn’t go to this exhibition. I had a pretty intense migraine for a few days and the last thing I needed was a ton of information being introduced to my already hurting head. If it wasn’t for my friends insisting, I would have easily stayed at home regretting my decision.

So, I gave myself a pep talk that morning and made my way to Somerset House where it was being held. I took a ten-minute stroll from Holborn Station convincing myself that I needed the fresh air and it was worth it. As I approached Somerset House from The Strand, on the facade was Multigraph 023 of artist Larry Achiampong that was shot by fellow artist and filmmakers Iain Forsyth and Jane Pollard. Seeing this I knew I was in for a treat. Ok, truth be told, I didn’t know what to expect.

Side note: I loved what Larry said when he showed his mum his portrait on the facade of Somerset House.

“Waited a while to show mum this image (shot by @iainandjane 🙏🏿) which is at the front of @somersethouse via Strand.
We cried
We talked about the cleaning jobs we did in the area years ago
We hugged
Mum talked about legacy, about the importance of (the kids and others) seeing black faces in this way….. about coming to this country with nothing, but now feeling like she’d gained something”

The skies were grey and the fountains at the courtyard were on. It was hard not to miss the entrance to the exhibition which was colourful against the grey exterior of the building. As soon as I made my way in, I purchased my ticket and had it scanned. The lady at the entrance handed it back to me and said start from the left side of the space and immediately I was hit by a very colourful corridor that made me stop in my tracks. Very Instagrammable and memorable. I could tell that the exhibition curator Zak Ové wanted the visitors to be left with a lasting impression from the get-go. How could you miss all that colour and pomp?

From poetry, photographs, sculptures, fabrics, music, video, film, etc., anything you can think of that can be exhibited in an art exhibition was there. Zak Ové did an amazing job curating this show. A glimpse on Black creativity spanning over 50 years. I have just a few shared photographs I managed to take whilst in the space and they don’t do the experience justice.

Also, I honestly thought the exhibition would be in the whole of Somerset House, but it was only on the West Wing of the building. I was low-key disappointed, but all that disappointment faded as there was plenty to see. Everywhere you looked you were drawn to what was being displayed. The experience was definitely multi-sensory. From the floors to the windows, even the skirting boards were carefully curated and thought out to bring the colourful nature of black art and creativity. The whole space was just a sculpture on its own. I loved it.

The poem ‘Wherever They Hang’ by Grace Nichols and ‘Before’ by Selena Nwulu are my favourites. This coming from a person who hardly reads poetry. As an immigrant, they just resonated with me.

Despite my migraine, I experienced Get Out, Stand Up Now for hours that I didn’t even notice the time pass by. I am glad that I did see it before it ended and that I bought the catalogue from the show.

If you are reading this before the 15th of September and are in London, please go and see it. I highly recommend it.
Tickets are £12.50 for adults / £9.50 concessions. Children under 12 go free.

The exhibition has ended now!

#GetUpStandUpNow

 

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