Photography into Art

HRH The Duchess of Cambridge b.1982 By Paul Emsley (b.1947) Oil on canvas, 2012 1152 x 965 (45 3/8 x 38) NPG 6956 © National Portrait Gallery, London; A National Portrait Gallery commission given by Sir Hugh Leggatt in memory of Sir Denis Mahon through the Art Fund

It is when you see an artist use a photograph to create paint a portrait and not any portrait at that, but that of a royal, you begin to see the importance of photography.

On Friday, 11th January 2013, the National Portrait Gallery unveiled the portrait of Kate Middleton aka HRH The Duchess of Cambridge painted by Paul Emsley.

The portrait will be on display at the gallery until 1st September 2013.

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Catherine Elizabeth Middleton, now Her Royal Highness The Duchess of Cambridge, was born in Berkshire and attended Marlborough College. The Duchess studied at the British Institute in Florence before enrolling at the University of St Andrews in Fife to study History of Art. She married His Royal Highness Prince William at Westminster Abbey on 29 April 2011. In January 2012, St James’s Palace announced The Duchess’s patronage of five charities, one of which is the National Portrait Gallery. Her first solo public engagement was the opening of the Lucian Freud Portraits exhibition and Her Royal Highness has shown a keen interest in portraiture and photography in particular.

Glasgow-born Paul Emsley grew up in South Africa and won first prize in the BP Portrait Award (2007). Painting Her Royal Highness at the beginning of her public life, The Duchess was able to give Emsley two sittings, the first at Kensington Palace and the second at the artist’s studio. Emsley’s subjects are frequently located against a dark background and emphasize, ‘the singularity and silence of the form.’ Previous portrait commissions have included the author V.S. Naipaul (2009) for the Gallery’s Collection and Nelson Mandela (2010).

Paul Emsley says: ‘The Duchess explained that she would like to be portrayed naturally – her natural self – as opposed to her official self. She struck me as enormously open and generous and a very warm person. After initially feeling it was going to be an unsmiling portrait I think it was the right choice in the end to have her smiling – that is really who she is.’

National Portrait Gallery

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Paul Emsley briefly explains how he used photographs to create the portrait of the Duchess.

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